Intrigued by the possibilities of rolling spiral shapes with jewellery wire, I have recently attended some workshops to learn more about the different techniques involved. After investing in a few jewellery-making tools (three types of pliers, wire cutters and a special hammer), I have found that it is actually not that difficult to create rings and spiral shapes (both open and tightly coiled) – but the process is VERY different from that of working with paper! Paper can readily be shaped and coiled in your fingers, whereas wire (particularly in a gauge of 0.8mm and above) requires strength and a very firm grip to pull it into the desired shape – and it is all too easy to ‘kink’ it inadvertently in the wrong direction!!
For my next ‘Insignia’ piece, I wanted to have a go at incorporating wire work with quilled shapes within a heraldic-style design. (You can read about the other pieces I have already made for this series here, here and here.)
I have called this latest piece ‘Metallica’ because it uses a combination of metallic background paper (gift wrap), copper-edged and rose gold-edged quilling strips and copper wire which I believe go quite well against a purple backdrop.
The crossed ‘implements’ at the top feature wire-wrapped loops (as more commonly used when linking beads together in jewellery), finished on opposite sides with simple spiral flourishes. Because I have not yet found a satisfactory way of gluing metal directly on to paper, I have supported them with little black ring coil collars through which the metal shafts pass, and tucked the ends of the wire into two little expanded paper cup coils, all of which are secured to the background in the usual way with PVA.
Below that segment is a tight coil made from a crimped ivory/rose gold edged quilling strip, set on some lovely patterned paper which I found on the inside of a mailing envelope. Below that is a trio of copper wire circles which I threaded on to a black paper ring coil that was later ‘squashed’ to provide a secure ‘glue-downable’ fixing.
The left hand segment features ogee shapes and a twisted pixie-hood loop fashioned from lilac and copper metallic quilling strips glued back-to-back. This is complemented by a little bit of filigree in ivory/rose gold. The right hand segment is lined with a dramatic piece of metallic gift wrap paper as mentioned earlier.
For the edging, I used three batches of copper-edged purple 3mm quilling strips sandwiched together. A flat central section is bordered on one side by a crimped triple strip layer and on the other by a double strip layer passed through a ‘ribbler’.
Like the other ‘Insignia’ pieces, this one is destined to be displayed at St Mary Magdalene Church, Taunton, in July 2018 as part of this year’s Taunton Live Arts Festival under the excellent ‘Adopt An Artist’ scheme.