For the past four years, I have been making quilled competition entries for the fabulous Taunton Flower Show which takes place during the first weekend of August in Taunton, Somerset, UK. The competitions marquee at this major event is huge, with classes ranging from high level floral displays (assessed by judges from the Royal Horticultural Society) to arts, crafts, photography, baking and even giant vegetables!
I always find it a real buzz to take part, and over the years have managed to gain Second and Third Prizes for various entries plus a Highly Commended award … but a First Prize always eluded me – until 2018!
This year, I entered the class for ‘A hand made greeting card for a special birthday’ which required every element to have been created by hand, with no commercial/kit components. You can imagine my delight on entering the marquee after the judging had been completed, to find a ‘First Prize’ sticker beside my entry! Here it is:
For those who like to read about techniques used, here is the text of the notes which I submitted to accompany my entry:
“Two squares of purple card have been cut by hand and matted. The lattice border was created by crimping narrow strips of bronze-edged paper and gluing the peaks of the crimps together. The numerals 6 and 0 were drawn on white paper and cut out by hand, then distressed with gold ink. The oval decorations were created from tightly-rolled strips of coloured paper, which have been wrapped around with gold-edged paper. The flowers at the four corners were made in a similar way. Lengths of gilt-coloured 0.8mm jewellery wire were coiled at each end using round-headed pliers and hammered flat in the centre. The inside sentiment was handwritten, and the filigree decorations made by hand using paper quilling techniques. The gift box for this card was measured and cut by hand.”
I have been enjoying experimenting with jewellery wire this year, after discovering that it can be manipulated into spirals reminiscent of those we use in quilling. It’s a VERY different process from working with paper, however, requiring the use of pliers and a not inconsiderable amount of manual strength, but I believe it complements paper filigree creatively in very interesting ways. Regular readers might recall that I also used wirework in this piece which was displayed recently at the Taunton Live Arts Festival and has been much admired:
As a postscript to my previous account of the Festival, I’m delighted to say that I have now sold two of my framed pictures plus several pieces of the quilled/paper bead jewellery that I have had on display in the prestigious Polkadot Jewellery Gallery in Taunton. So, once again, it’s been a truly fabulous summer in Taunton … and I have a sneaking suspicion that the best is yet to come!!