Just this once, I am going to let the pictures speak for themselves!
Please check out my previous post for more details …
Quilling by Philippa Reid
09 Apr 2017 Leave a comment
Just this once, I am going to let the pictures speak for themselves!
Please check out my previous post for more details …
18 Mar 2017 8 Comments
I completed this quilled collage picture last year, but never wrote a blog post about it because, at the time, it was destined to be a competition entry into one of the creative arts categories at Taunton Flower Show 2016 and needed to remain unpublicised to preserve the integrity of judging.
I feel it deserves a proper introduction now, however, since I’m thrilled to say that the piece has just been accepted for inclusion into the CICCIC (Creative Innovation Centre Community Interest Company) Contemporary Art Open Exhibition 2017 after I took the decision to enter it into their recent national competition.
The panel of judges (mainly fine artists, I believe) were looking for “work which considers new ways of exploring media, composition and subject material”, and I guess that my pioneering approach of combining collage with quilled tracery patterns and decorations in the style of a stained glass window managed to ‘tick’ all three of these criteria ‘boxes’.
‘Arch’ was the first, and definitive, collage piece that I created, exploring the possibility of segmenting an arch in the manner of a modern stained glass church window, using shapes derived from intersecting curves. The various segments in the picture contain carefully-selected pieces of background paper, sourced from magazines, gift wrap, marbled paper off-cuts and even a road atlas. Quilled shapes (some traditional and others ‘deconstructed’) are used as decorations inside the segments, which are delineated using bundles of crimped black quilling strips. The tracery arcs were created using specialist silver-edged silver and gold-edged gold quilling strips, while the edges of the arch are multi-strip ‘sandwich’ constructions which I moulded to fit around a pre-embossed outline. Because I always like to be ‘different’, I deliberately positioned the tracery on the inside of the arch.
My creation will be exhibited alongside 19 other selected pieces of innovative multi-media art and sculpture that were selected from what I understand to have been 80 competition entries submitted by artists from across the UK. This means that “many were called, but few were chosen”, as they say, and so the sense of honour and achievement that I feel is truly profound.
The exhibition will run from 4th – 29th April 2017 (opening hours 9.30am – 5pm Tuesday – Saturday) at the CICCIC Gallery, Memorial Hall, Paul Street, Taunton, Somerset, TA1 3PF, UK, with a special preview evening event from 6pm – 9pm on Wednesday 5th April. I am delighted to say that I have managed to resolve (diplomatically!) an unfortunate clash of social commitments in order to be present on that night, when the winners of the competition are to be publicly announced. I would not miss it for the world!!
13 Aug 2016 1 Comment
in Quilled collages, Taunton Live 2016, Workshops Tags: GoCreate Taunton, learn to quill, Paper filigree, quilled collage, quilling, quilling tuition, quilling workshops, St Mary Magdalene church Taunton, Taunton Flower Show, Taunton Live 2016
This year’s summer began for me back in last year’s autumn, when a chance meeting in the Museum of Somerset set an incredible chain of events in motion.
Talking to someone in the museum about how I was looking for opportunities to demonstrate and run workshops on quilling (the art of paper filigree), I was overheard by Jenny Keogh, CEO of GoCreate Taunton, and co-organiser of Taunton Live, the town’s annual arts festival. “Would I be interested in demonstrating at next year’s festival?” she asked. Would I?? “Absolutely … tell me more!” I replied.
A couple of weeks later, I found myself meeting with Jenny and her colleague Diane Burnell in the Foyer of Taunton’s Castle Hotel, explaining how I stage ‘make and take’ sessions for adults and children at public events, teaching them to create flowers, butterflies and other colourful creatures out of paper strips. This proved to be of great interest to them, as it was exactly the kind of drop-in public workshop they were planning to offer at Taunton Live 2016.
Following this meeting, I became a member of GoCreate Taunton and attended a Creatives Club meeting in early January in order to show my commitment and learn more about the plans for this year’s festival.
It was inspiring! The week-long event, I learned, was to encompass creativity in all its forms, focusing variously on two-dimensional art; comedy and street performance; dance, movement and fashion; three-dimensional art; poetry literature and drama plus music, all being represented on different days and centred on an open area in the town centre. Supporting this would be exhibitions, performances and ‘Adopt An Artist’ events throughout the town, with colourful and quirky yarnbombing very much in evidence on Taunton’s historic streets.
Initially I was asked to stage a ‘make and take’ quilling workshop, open to all-comers, in the Orchard Centre – Taunton’s main pedestrianised shopping area – on Thursday 21st July. With Thursday being the town’s busiest shopping day due to an adjacent open-air food market, this was an exciting opportunity to spread the word about quilling, and I was delighted to accept the invitation.
As winter turned to spring, however, further opportunities arose – to my great delight! The first of these was an invitation to quill the Taunton Live logo which I have already described in a previous post. Diane also asked if I would be willing to stage a three-hour quilling class in Taunton Library, putting me in touch with staff there to make the necessary arrangements. I was duly booked to run the class on the morning of Friday 22nd July, supported by excellent pre-event publicity.
Perhaps most exciting of all, however, was the invitation I received to display some of my quilled collage pictures at the festival as part of the ‘Adopt An Artist’ scheme. Having seen my work online, and noting the way in which I was developing my quilled tracery (echoing the architectural features of gothic church buildings and stained glass windows), Diane approached the Vicar of Taunton’s magnificent parish church, St Mary Magdalene, to see if he and his team of church wardens would be willing to ‘adopt’ me as an exhibiting artist there.
I visited Taunton in early May, and kept an appointment to meet the Vicar, Reverend Rod Corke, in the vicarage. I showed him pictures of my work on my iPad, and he was sufficiently impressed to propose my ‘adoption’ at a subsequent parish meeting. After an anxious wait, I received news in June that I would be permitted to mount a display of my pictures in the church. From that point on, the stage was set!
It took a great deal of planning and list-writing to prepare myself for the festival, as in addition to my pictures I had all my workshop materials and equipment to bring to the various venues, and I would be travelling to Taunton by train!
In the build-up to the festival, I contributed as actively as possible to the on-going publicity machine which, I discovered, was centred mainly on Twitter. Soon I was tweeting, re-tweeting and being re-tweeted with the best of them, picking up followers in Taunton’s vibrant cultural and arts community along the way. (You can find a link to my Twitter feed in the right-hand side panel.)
The festival officially ran from 18th – 24th July 2016, but I had the opportunity to set up my display in the church on the 16th, and leave it there until 6th August when I would be attending the Taunton Flower Show – of which more later.
On Saturday 16th July, I excitedly boarded the train for Taunton with six framed pictures and all my library workshop materials packed into one substantial suitcase! On arrival, I headed straight for the church, where I had been allocated a display table in a prime position right in the foyer, next to the cafe and bookshop. The Vicar had warned me that he could not absolutely guarantee the safety of the pieces due to the fact that all sorts of people wander in and out of this town centre church at different times and it was impossible for his team of helpers to monitor activity at every single moment. I considered all this carefully, but concluded that it was such a wonderful opportunity that I was prepared to take the risk.
The following weekend, the church was due to stage its annual fayre which would take up space in the foyer, so I agreed to relocate my display beforehand to a new position deeper inside the church.
My next port of call on that first Saturday was the library where a storage room was made available for me to leave my workshop materials in readiness for Friday’s class.
The following Wednesday saw me returning to Taunton in readiness for my two workshops, laden once again with everything I needed for the shopping centre ‘make and take’.
Thursday morning dawned, and I checked in at the Orchard Centre’s security desk to receive my pass before finding my way to my tables which had already been set in place for use by other artists who had done demonstrations there earlier in the week. I had quilling samples, literature and workshop materials to lay out in addition to my own merchandise (some small quilled items and paper bead jewellery) and, once this was in place, I settled back to rolling a few coils and waiting for the public to notice me.
The first hour was very quiet, but suddenly a family of three came over and asked to try some quilling – after that, I found myself busy for the rest of the day! One of the yarnbombers had been allocated to me as a helper so that I could take a break when necessary, and time seemed to fly by as more and more people (mainly children with their parents) sat down to create quilled flowers, butterflies and other sundry creatures for their takeaway gift tags and cards.
I was delighted, during the course of the day, to receive visits from some of the contacts I had made on Twitter, including Marcia, Taunton’s former Mayor (who greeted me like an old friend!) and a professional photographer, Mike Godleman, who asked if I would be interested in commissioning a photoshoot of my display in the church. This came to fruition a couple of weeks later, as I will describe later on.
It was a fulfilling and fun day, and so good to be playing an active role in the festival … with more excitement to come!
The following morning, I walked to the library ready for my three-hour class. One of the ladies who had booked failed to turn up, which was a little disappointing, but the others more than made up for her absence with their eager enthusiasm! I gave my standard introduction to quilling, describing its history, showing samples, demonstrating the way in which quilled shapes can be put together to form pictures etc – and very soon my ladies were successfully rolling coils for themselves (without the aid of a tool, I might add!). All expressed an interest in attending further classes, several were keen to leave me their contact details, and one has subsequently become a member of The Quilling Guild. Taking all this into consideration, I feel it was a great success. The library is an excellent venue, with loads of room, large tables and a cafe on site – well worth bearing in mind for the future. Watch this space!!
On Friday afternoon, I returned to the church in order to move my display as previously agreed, making way in the foyer for the parish fayre. The new site was a beautiful area of the church known as the Soldiers’ Corner, where stunning stained glass windows (depicting famous military men) cast beautiful coloured light from both sides. The table allocated to me in this area was much bigger, too, and I had a lot more room in which to set out my pictures (see photo below). Meanwhile, I received numerous very appreciative comments from people working in and visiting the church, and more than half of the leaflets I had left describing my exhibits had already been taken.
Saturday dawned, and my aim was to take some time to enjoy the penultimate day of the festival with free time on my hands. First I followed a marching jazz band through the shopping centre and into the main festival square, somehow ending up carrying a banner and being photographed with the musicians as we arrived on Castle Green.
I decided to return to the church where the fayre was in full swing, as there was an opportunity on that day to go up its iconic Somerset tower. I was told that people would be taken up in small groups, so I had to wait for some more to arrive in order to complete our party – and who should they turn out to be but the current Mayor of Taunton Deane, Vivienne Stock-Williams and her husband?! As we ascended the 160-odd very steep and narrow steps to the roof of the tower, we fell into conversation, and the Mayor was very interested to hear that I had a display of quilled pictures down in the church below. After admiring the view and having our photo taken on the tower roof, we gingerly made our descent, and Mrs Stock-Williams asked to see my display before we all sat down for tea in the cafe at the Vicar’s invitation.
Now, I can’t say too much at the moment because discussions are still ongoing, but suffice it to say that in the space of 15 minutes two very interesting propositions were made by those present in terms of future opportunities for me and my quilling art. If there are further developments, I will of course report them here on the blog. Even if nothing further comes of them, however, the delight I felt on that particular morning will remain with me as a truly wonderful memory … serendipity indeed!!
The festival ended the following day, and my thoughts now turned to the next exciting event – Taunton Flower Show – which was held this year on 5th and 6th August. I have written about the Flower Show here on the blog before – it’s a major competitive event and visitor attraction in this part of England, sometimes referred to as “The Chelsea of the West”! Last year, I managed to win two prizes in the competitions marquee, and I hoped to repeat that achievement once again by entering two of this year’s craft classes.
I removed one of my quilled collage pictures from the church display as one of my entries, and also brought a card that I had crafted for the class entitled ‘Hand-made Ruby Wedding card using no commercial embellishments’. Next morning dawned, and – two prizes once again!!
My card entry used lots of different techniques, instead of just quilling, because I discovered last year that the judges sometimes like to see a range of skills on display (although this doesn’t actually seem to have been the case with 2016’s First Prize winner! ) Nevertheless, my effort involving iris folding, heat-gun embossing, decoupage and stencilling alongside some quilled numerals and interlocking rings, earned praise from the judges for the “variety of skills” shown.
Just when I thought all the excitement was over, the Parish Secretary from St Mary Magdalene church made me an offer to purchase my prize-winning card, as it was her sister’s Ruby Wedding anniversary later that week! So, quite unexpectedly, I ended up selling the card – a very satisfying end to a brilliant few weeks.
Meanwhile, in between all of these wonderful events, my new friend Mike from Missing A Trick Photography had visited the church to do his photoshoot of my display – and the results are absolutely stunning! Since all of the pictures were behind glass, I feared that he would struggle with difficult reflections in the church environment, but he told me afterwards that he contorted himself into all sorts of uncomfortable positions in order to obtain some brilliant shots! I’ve included a couple of his lovely pictures in this post, but you can see the full set in ‘sample mode’ online via this link.
So ends the story of my magical summer in Taunton … the start of something very special indeed for me!
03 Jul 2016 2 Comments
The programme for the Taunton Live 2016 arts festival has just been published – and I’m so delighted that my name is on it in three different places!
Here’s a summary of the events I’ll be involved in:
And here are the two sections of the programme in which my name appears:
You can download a complete copy of the festival programme here.
If you scroll back through the recent posts on this blog, you can also see the quilled tracery collage pictures which I will be putting into my church exhibition.
My involvement in Taunton Live all springs from a chance meeting that I had with one of the festival organisers last October – and what a serendipitous meeting that proved to be! I introduced Go Create Taunton‘s Jenny Keogh and Diane Burnell to the art of quilling a couple of weeks later, and before I knew it I had two workshops booked, an exhibition arranged, and two Taunton Live logos to quill!
I was privileged to be present at the local Creative Club meeting back in January when several of the events on the programme were first discussed: the yarn bombing (even bigger and better this year!); the decorating of the fabulous copper beech tree outside Taunton Castle (can’t wait to see that!); the rounding-up of the town’s numerous buskers for the Music Day etc. etc. It’s so exciting to see it all coming to fruition at long last!
If you can make it to Taunton Live, do try to come along to one or more of my events – I’d love to see you there!
And the best news of all? My husband and I are now seriously discussing a move to the Taunton area in the not-too-distant future … something I’ve wanted so, so much for such a long time. Taunton Live is just the beginning … I’m coming back home where I belong.
05 Jun 2016 2 Comments
There are now just six weeks to go until the Taunton Live Arts Festival 2016, and from my point of view things are really starting to come together!
Last week I received confirmation that permission has been granted for my exhibition of quilled collage pictures in St Mary Magdalene church to go ahead, and so now I am busy sourcing the necessary display stands and designing the flyer leaflets that will accompany the pieces. I have written before about the breathtaking beauty and atmosphere of this wonderful church – see this previous post – and I cannot tell you how privileged I feel to be able to display some of my work in the very place that has inspired several of my quilled tracery patterns. Although I have now completed the six pieces that will be on show (from 18th July – 6th August), my brain is buzzing with more ideas after visiting the church again last week – hopefully I will find some time to explore some of them in the weeks ahead.
Just as the exhibition had been confirmed, I also received word from Taunton Library that the poster for my pre-bookable quilling workshop on 22nd July 2016 is now ready – here it is:
I have limited the places at this workshop to a maximum of 10 so that I can give each of the participants plenty of individual attention. If there is sufficient interest, however, I have agreed to stage a second workshop at a later date, so that anyone who misses out on this one will not be disappointed. Watch this space!
Now I am just waiting to confirm the details of the drop-in ‘make and take’ workshop that I will be running in the Orchard Shopping Centre, Taunton, on Thursday 21st July 2016. Hopefully there will soon be a poster available for that event too.
During my visit last week, I also delivered the two quilled festival logos that I had made at the organisers’ request, and I was delighted to learn that these are to be awarded as prizes to people who produce outstanding creative work after attending one of the many workshops included in the festival programme – what an honour!
I cannot describe how much it means to me to be so deeply involved in a festival of the arts in the place that I love beyond all others. One day I hope to be able to make my home in the Taunton area once again, but until then this is unquestionably the next best thing!!
23 May 2016 2 Comments
Here’s the final creation in my series of Somerset-related quilled collages which I hope to exhibit at the forthcoming Taunton Live 2016 arts festival in July.
I’ve called this one ‘Magdalificence’, since it features (and was inspired by) Taunton’s truly magnificent parish church of St Mary Magdalene.
This is such a beautiful church that it is hard to know where to begin when trying to describe it. At the top of my collage, you’ll see a picture of its iconic Somerset tower which is very much a local landmark. When you enter the church through its main doors, it really does feel as though you are entering into the company of angels! There are two herald angels engraved on to a wonderful pair of inner glass doors, and – once inside – you can see many more fabulously painted carved angels looking down at you along the nave from the church’s lofty ceiling. The stained glass windows in the church are gorgeous, casting rich colours across the beautifully carved pews, which have previously inspired me with some of their tracery patterns.
The basis of this collage is an arch shape cut from cardboard, which I have decorated using decoupage. I wanted the colours of the arch to echo the richness and brilliance of the stained glass windows in an abstract way, which prompted me to try a little experimentation! I tore some colourful glossy magazine pages into tiny pieces and stuck these down all over the arch with ‘Decopatch’ glue, quite randomly and overlapping. This type of glue is also a varnish, drying to give a glossy surface which I have ‘toned down’ using pieces of semi-opaque tissue and pieces torn from the inner ply layers of paper napkins. I’ve only recently discovered that the thin layers which make up paper napkins, kitchen towel, toilet tissue and such like are loosely joined together using an embossing process – and the embossing comes in some amazing raised patterns! By gently applying torn pieces on top of a collage with the embossed side facing upwards, it’s possible to add some very interesting textures over and above the colours underneath.
In homage to the angels of St Mary Magdalene, I have included a pair of quilled sparkly white ‘angel wings’ above the apex of the arch, made by shaping eccentric closed loose coils – yes, it was a challenge getting them to match!
The arch is delineated with a multiple ‘sandwich’ of silver-edged quilling strips (with crimped ones in the centre) as used in my other pieces. I then decorated the inside of the arch with clusters of ring coils in sparkly white and gold-edged gold.
I like to think that this is an extra-special piece, with a bright, uplifting and refreshing feel to it, rather like the church itself.
Magdalificence will be placed on public display at various locations (including Taunton) in the coming months. Should you be interested in purchasing something similar (custom-made), please contact me by emailing email@example.com or leave a comment below.
08 Apr 2016 6 Comments
The title of this collage – Tudor Timbers – refers to the picture at the top of the arch which shows one of Taunton’s most iconic landmarks, dating from the 16th century. This lovely half-timbered building stands right in the centre of the town, and always used to be known as the Tudor Tavern. Today it is a coffee shop, but I remember it back in the 1970s as a Berni Inn (oh happy days!!), with a separate room at the back called the Hangman’s Bar. The hangman in question was the infamous Judge Jeffries who presided over the so-called ‘Bloody Assizes’ in Taunton in the late 17th century. This followed the suppression of the ill-fated Monmouth Rebellion at the Battle of Sedgemoor, in which many local citizens had unfortunately been involved. Despite this somewhat grisly association, the Tudor Tavern remains a potent symbol of Taunton’s history, and seemed to me to be the perfect centrepiece for a Tudor-style collage. I like the way the steep roof of the Tavern zig-zags down towards the right hand side of the arch, highlighted by a subtle patina of moss on the richly coloured roof tiles.
Like my other collages, this piece is divided into brightly coloured black-bordered sections reminiscent of a stained glass window, with quatrefoil tracery shapes positioned on the inside of the arch. The tracery is constructed from 3mm pastel yellow/silver-edged quilling strips, crowned by my quilled interpretation of a Tudor rose. Two of the window panels contain typography: look closely and you will see that the one positioned towards the lower right includes the opening words to the famous Tudor song, ‘Greensleeves’. I decided to decorate this particular panel romantically with a folded paper rosebud. The interlinked silver spirals in the gold panel above it were made with a punch – I had to insert the paper first forwards and then backwards into the punch to form each pair, because the paper I used was only coated in silver on one side. (I’ve had to learn how to think both upside down and back to front when making these collages!) The serrated decorations on the left hand side of the arch were made by cutting paper with pinking shears, and I’ve also included numerous tight pegs made from gold and silver edged quilling strips throughout the design. The borders for the arch were created using the quilling strip ‘sandwich’ technique described here.
I worked with 3mm (1/8 inch) wide quilling strips, cut into lengths as detailed below. These lengths are necessarily short, since the main body of the finished rose measures only 30mm (just over 1 inch) across – yes, be warned, it’s fiddly to make! However, the pattern could easily be scaled up if required.
Make 10 closed loose coils out of 26 mm (1 inch) lengths of crimped white paper, and five tight pegs out of 26 mm (1 inch) lengths of grey paper. Create five pairs of white coils by gluing them together side by side. Then add one grey peg to the base of each pair as shown in the photo. Glue these three-coil sets together in a ring, working over circular graph paper.
Use a yellow strip to create a tight peg big enough to fit inside the ring, and glue it in place.
Make 5 teardrops from 3 mm (1.25 inch) lengths of dark green paper and glue these in position between each pair of white coils, pointing towards the centre of the rose.
Make 5 crescent/bunny ear shapes (refer to photo) from 225 mm (8 inch) lengths of dark red paper for the rose petals and glue these in position above the white coils, separated by the dark green teardrops. Glue the tips of each petal together.
Make 5 teardrops from 3 mm (1.25 inch) lengths of lime green paper and glue these in position as shown in the centre of each red petal.
If you use this pattern and post a photo of your Tudor rose online, I’d be grateful if you could please include an acknowledgement to me and a link to this blog post – thank you.
Tudor Timbers will be placed on public display at various locations in the coming months, including the Taunton Live 2016 arts festival. Should you be interested in purchasing something similar (custom-made), please contact me by emailing firstname.lastname@example.org or leave a comment below.
20 Mar 2016 2 Comments
One of the many treasures to be found in Taunton (the county town of Somerset in south-west England) is a classic Victorian park which was first laid out for the public’s enjoyment in 1895.
Known as Vivary Park (after the medieval fish farm or ‘vivarium’ that was once sited there to serve Taunton’s ancient castle and priory), it features prominently in my memories of life in Taunton in the 1970s, and is still one of my favourite places to visit whenever I find myself in the town.
Vivary Park is the venue for the famous Taunton Flower Show which takes place annually in August, at which I was thrilled to win some prizes for my quilled art last year. If you like, you can read about that particular adventure here and here.
The park has now become the subject of my latest quilled collage featuring gothic-style tracery, which aims to create a decorative ‘window’ on to this peaceful and colourful oasis in the town. At the centre is a digitally stylised picture of the gorgeous fountain which was unveiled as a memorial to the late Queen Victoria in 1907, and which is regularly re-painted in vivid bright colours which preserve its original magnificence even in modern times. The beauty of the fountain is echoed by fabulous displays of flowering plants throughout the year. There is also an elegant Victorian bandstand in the park, plus a peaceful sensory garden area – it really is such a delightful place!
I have tried to capture the rich colours of the park in this collage through my choice of background papers and the quilled flowers I made to complement them. Quillers will notice a little combed work along the edges of the deep magenta panels, nestling in between crimped-strip teardrops. The tracery is constructed using 3 mm gold-edged gold strips, triple-rolled to create ring coils around dowels. By cutting the ring coils, it is possible to make arcs that form the basis of classical gothic architectural shapes. I’m learning more and more about the geometry of tracery every time I make one of these pieces!
This picture will be placed on public display at various locations (including Taunton) in the coming months, unless previously sold. Should you be interested in purchasing it (or maybe even something similar, custom-made), please contact me by emailing email@example.com or leave a comment below.
09 Mar 2016 6 Comments
So, this is the style that I’m adopting for my gallery collection: a segmented collage of different background papers, individually bordered with black crimped paper strip ‘leading’ like the panes of a stained glass window – all contained within a rigid framework made from ‘sandwiched’ multiple quilling strips and selectively decorated with various forms of paper filigree. Continuing the stained glass window analogy, each piece is going to be framed by tracery shapes, constructed from metallic-edged quilling strips. In church architecture, tracery forms an integral part of the window, crossing the panes, whereas mine positions itself – perversely! – around the edges.
If art provides an insight into a person’s soul, this speaks volumes about my affinity with bold shapes, ideas and colours. I’m so excited that others have seen and responded positively to this unique new style of mine … and I feel as though my creativity has been unleashed in a way that I’ve really never experienced before.
Yes, it’s moving away from quilling just a bit … well, away from ‘traditional quilling’, anyway, and for that reason I suspect it may not necessarily find favour with all of my friends and acquaintances in the ‘quilling blogosphere’. However, quilling still underpins the work in so many different ways: in the tracery (ring coils, cut and joined); in the edging (straight and crimped quilling strips sandwiched together); in the decorative detail of the window panes (open coils, ring coils and delicate huskings – the very essence of filigree as practised by our ancestors).
Because the piece shown above speaks for my soul, it had to contain just a little bit of Somerset. You’ll find this in the uppermost segment: a tiny image showing the summit of Burrow Mump – an iconic hill which rises dramatically out of the flat lands of the Somerset Levels.
King Alfred the Great is known to have climbed Burrow Mump to scan the distant landscape for marauding Danes in ancient times. During the time of his reign as the King of Wessex, the area of the Somerset Levels was a vast, marshy sea in which this natural knoll stood out as an island, making it an ideal lookout post. The ruin at the top of the Mump is the medieval church of St Michael which was used as a refuge by Royalist soldiers during the Civil War. Soon afterwards, the King’s army occupied it again during the Monmouth Rebellion of 1685. The views from the summit of Burrow Mump are spectacular to say the least. As you catch your breath beside the ruined church after your steep climb, you can look out towards other ‘islands’ standing in the Levels, such as Glastonbury Tor and Alfred’s own royal Isle of Athelney. The Rivers Parrett and Tone converge at the foot of the Mump and flow away together to the Bristol Channel. It’s a truly magical place.
When creating this piece, I imagined that there might be gold deep inside the Mump, stretching out beneath the strata of the rock. Go deep enough down, and you might eventually discover subterranean water, whose colour echoes the brilliant blue of the sky above. However, I will leave my image of the Mump to speak to you in its own way …
For those who are interested in the technicalities of these things, I created the outline for this collage using a cross formation assembled using blank jigsaw pieces, which then provided templates for the individual segments of the design. The borders of the cross are delineated using my quilling strip ‘sandwich’ technique , glued down on to an outline shape which I embossed on to the blue background card over mounting board, using the crooked end of a crochet hook. In this photo, you can see how I applied tiny dots of glue into the indented outline and allowed them to go ‘tacky’ for a minute or so before placing the ‘sandwiched’ strip into position on the background card:
I am proud of this piece, which will be placed on public display at various locations in the coming months, unless previously sold. Should you be interested in purchasing it (or maybe even something similar, custom-made), please contact me by emailing firstname.lastname@example.org or leave a comment below.
29 Feb 2016 6 Comments
All too often over the past few years, I’ve been unable to share photos of ‘work in progress’ here on my blog because the projects have had to be kept ‘under wraps’ … usually because they were destined to be competition entries. I very much enjoy entering competitions staged by The Quilling Guild (and other organisations I’m connected with such as Taunton Flower Show), but I love my blogging too – and now, finally, I’ve got a new objective in view that I’m able to ‘go public’ with right from the start!
I have been invited by Freda James, the owner of Gallery Fifty Five (in Hartley Wintney, southern England) to submit a collection of framed quilled/collage artworks for display in her Spring 2017 Exhibition, where I will be introduced as a Featured Artist.
This means I now have twelve whole months in which to work on creating the pieces that I plan to exhibit (and hopefully sell!), bringing me exactly where I want to be in terms of featuring my activities publicly on this blog and perhaps even enhancing my reputation as an aspiring artist.
This very exciting opportunity arose for me after I had shown Freda a quilled/collage picture that I’ve just completed. Now, true to established form, I cannot show you this particular one in its entirety just yet because I’m intending to enter it into a couple of competitions in 2016 … but I am going to share a tiny section of it here so that you can see the kind of style that I’m going to be developing for my Gallery collection:
It features cut-out sections of various background papers on a black background, embellished with quilled shapes and bordered with ‘sandwiched’ lengths of bundled quilling strips … all linked together with a network of the quilled tracery that I’ve been developing in recent months, and which has already been featured in several of my earlier posts this year. Once the competitions are over, this particular collage is going to be the centrepiece of my 2017 exhibit.
I’m really excited by the potential for these tracery shapes in quilling, echoing the wonderful curved and intersecting patterns that are found in gothic-style stained glass window architecture. Now I have the opportunity to develop them fully and explore their potential in some ‘proper’ art pieces.
I started with some experimentation this past weekend, after obtaining a quantity of silver-edged mixed pastel coloured 3mm strips which have allowed me to try making some ‘multi-coloured’ tracery pieces:
The initial results are quite pleasing, I think. I obtained these pastel-coloured strips privately, but will be happy to share details of the supplier on request.
I also plan to do lots more work with the wonderful solid gold/gold edged and solid silver/silver edged strips from JJ Quilling Design that I now have in my stash and which have brought me the closest I’ve ever been to feeling that I’m actually working with precious metals.
Right now, I’m starting to put together my next piece in which quilled tracery will be featured centre-stage … and I’ll definitely be sharing it here as the work progresses. Maybe there are some potential buyers out there who are going to like what they see – well, you never know!!